Between Lines unfolds as an exploration of the thresholds where form, space, and perception intersect. The works in this series, Edge, Ever-shifting Horizon, Defining Space and Form and Space, emerge as variations on the act of constructing and dissolving boundaries.

Lines, planes, and chromatic tensions are used to destabilize the canvas, transforming it into a site of transition rather than a fixed surface. In Edge, the boundary itself becomes the subject: a fragile limit where interior and exterior blur. Ever-shifting Horizon extends this instability, proposing a landscape in constant flux, where orientation slips away. Defining Space reflects on the impossibility of fully enclosing perception, presenting geometry not as closure but as an open framework. Meanwhile, Form and Space reveals the dialogue between structure and void, affirming that space is never neutral but always charged with tension and possibility.

Together, these works propose painting as an architectural and sensorial field: a place where the viewer is invited to move between clarity and ambiguity, presence and absence. Between Lines does not describe finished forms, but a process of becoming a visual territory that exists in the fragile interval between one state and another.