No Clear Exit brings together two paintings that explore architecture as a perceptual rather than a functional condition. Reduced geometric forms, controlled perspectives, and sharply defined planes of colour construct spaces that appear familiar while resisting fixed interpretation.

Rather than representing existing architecture, the works investigate how painting can generate spatial experience. Openings, edges, and architectural planes become visual structures through which light, depth, and orientation are continuously negotiated. The compositions oscillate between clarity and ambiguity, inviting viewers to question the stability of the spaces they perceive.

Through minimal formal means, the project examines how architecture can be transformed into an experience of perception, where certainty gives way to ambiguity and space exists as both a physical and psychological construct.